The modern facades of the Taleghani Street and around the 50s of the 1950s are generally composed of vertical, horizontal, or rhythmic structures of structure and openings. One of the main features of the present age is the speed of data exchange and, consequently, the acceleration of the movement of contemporary urban life. in Taleghani Street also because of its location in the limited traffic area of Tehran and its one-way direction from the west to the east,speed, play a big role. The images are an attempt to apply these energy lines derived from the concept of movement and speed in the city over the network of facets. In the next step, mathematical series contemplation was an attempt to create more regular forms using mathematical formulas. This method, while providing the shape of the energy of street movements, makes it possible to accurately calculate the levels of openings and panel sizes. The final formula inspired by the Fibonacci series is a mathematical sequence that measures the height and distance of each vertical row of panels in relation to the previous vertical row.